Monday, 27 June 2016

27 JUN 1939-11 JAN 1994 RAHUL DEV BURMAN

R. D. Burman

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Rahul Dev Burman
RDBurman and Asha Bhosle MI'81.JPG
Burman with Asha Bhosle
Native nameরাহুল দেব বর্মন
Born27 June 1939
Kolkata, India
Died4 January 1994 (aged 54)
Mumbai, Maharashtra, India
OccupationSinger, Music director,Composer
Years active1961–1994
Spouse(s)Rita Patel (1966–1971) (divorced)
Asha Bhosle (1980 - 1994) (his death)
Parent(s)S. D. Burman
Meera Dev Burman
Rahul Dev Burman (Bengali pronunciation: [Rahul Deb Bôrmon]; 27 June 1939 – 4 January 1994) was an Indian film score composer, who is considered one of the seminal directors of the Indian film industry.[1] NicknamedPancham da, he was the only son of the composer Sachin Dev Burman.
From the 1960s to the 1990s, R. D. Burman composed musical scores for 331 films.[2] He was mainly active in the Hindi film industry as a composer, and also provided vocals for a few of compositions.[3] R. D. Burman did major work with Asha Bhosle (his wife) and Kishore Kumar, and scored many of the songs that made these singers famous.[3] He also scored many songs sung by Lata Mangeshkar. He served as an influence to the next generation of Indian music directors,[3] and his songs continue to be popular in India even after his life

Biography[edit]

Early life[edit]

R. D. Burman was born to the Bollywood composer/singer [Sachin Dev Burman] and his lyricist wife Meera Dev Burman (née Dasgupta), in Kolkata.[4] Initially, he was nicknamed Tublu by his maternal grandmother although he later became known by the nickname of Pancham. According to some stories, he was nicknamed as Pancham because, as a child, whenever he cried, it sounded in the fifth note (Pa), G scale, of music notation. The word Pancham means five (or fifth) in Bengali, his mother tongue. Another theory says that the baby was nicknamed Pancham because he could cry in five different notes. Yet another version is that when the veteran Indian actor Ashok Kumar saw a newborn Rahul uttering the syllable Pa repeatedly, he nicknamed the boy Pancham.[5]
R. D. Burman received his early education in West bengal. His father S. D. Burman was a noted music director in Bollywood, the Mumbai-based Hindi film industry. When he was nine years old, R. D. Burman composed his first song, Aye meri topi palat ke aa, which his father used in the film Funtoosh (1956). The tune of the song Sar jo tera chakraaye was also composed by him as a child; his father included it in the soundtrack of Guru Dutt's Pyaasa (1957).[6]
In Mumbai, R. D. Burman was trained by Ustad Ali Akbar Khan (sarod) and Samta Prasad (tabla).[7] He also considered Salil Chowdhury as his guru.[8] He served as an assistant to his father, and often played harmonica in his orchestras.[3]
Some of the notable films in which R. D. Burman is credited as the music assistant include Chalti Ka Naam Gaadi (1958), Kaagaz Ke Phool (1959), Tere Ghar Ke Samne (1963), Bandini (1963), Ziddi (1964), Guide (1965) and Teen Devian (1965). R. D. Burman also played mouth organ for his father's hit composition Hai Apna Dil To Aawara which was featured in the film Solva Saal (1958).[9]
In 1959, R. D. Burman signed up as a music director for the film Raaz, directed by Guru Dutt's assistant Niranjan. However, the film was never completed. The lyrics of this Guru Dutt and Waheeda Rehman-starrer film were written by Shailendra. R. D. Burman recorded two songs for the film, before it was shelved. The first song was sung by Geeta Dutt and Asha Bhosle, and the second one had vocals by Shamshad Begum.[10]
R. D. Burman's first released film as an independent music director was Chhote Nawab (1961). When the noted Bollywood comedian Mehmood decided to produce Chhote Nawab, he first approached R. D. Burman's father Sachin Dev Burman for the music. However, S. D. Burman turned down the offer, saying that he did not have any free dates. At this meeting, Mehmood noticed Rahul playing tabla, and signed him up as the music director for Chhote Nawab.[10] R. D. Burman later developed a close association with Mehmood, and did acameo (apart from composing the music) in Mehmood's Bhoot Bangla (1965).[10]

Initial successes[edit]

Burman's first hit film as a film music director was Teesri Manzil (1966). Burman gave credit to lyricist Majrooh Sultanpuri for recommending him to Nasir Hussain, the producer and writer of the film.[11] Vijay Anand also said that he had arranged a music session for Burman before Nasir Hussain.[12] Teesri Manzil had six songs, all of which were written by Majrooh Sultanpuri, and sung by Mohammed Rafi. Four of these were duets with Asha Bhosle, whom Burman later married. Nasir Hussain went on to sign R. D. Burman and lyricist Majrooh Sultanpuri for six of his films including Baharon Ke Sapne (1967), Pyar Ka Mausam (1969) and Yaadon Ki Baaraat (1973). Burman's score for Padosan (1968) was well received. Meanwhile, he continued to work as his father's assistant for films including Jewel Thief (1967) and Prem Pujari (1970).
The superhit Kishore Kumar song Mere Sapnon ki Raani from Aradhana (1969), though credited to his father, is rumoured to have been R. D. Burman's composition.[6] Kora Kagaz tha Yeh Man Mera from the same film was also his tune.[9] It is believed that when S. D. Burman fell ill during the recording of the film's music, R. D. Burman took over and completed the music. He was credited as an associate composer for the film.
[Note: This artical needs correction - It has been substantially proved by various sound recordists & musicians who accompanied S.D. Burman during recording of Aradhana that all scores were tuned & composed by Senior Burman & R.D was no where involved with the same (except for parhaps music arrangment). For further details one can refer to various videos featuring these musicians on youtube.]

Rise to popularity[edit]

In the 1970s, R. D. Burman became highly popular with the Kishore Kumar songs in Rajesh Khanna-starrer films.[6] Kati Patang (1970), a musical hit, was the beginning of a series of the 1970s films directed by Shakti Samanta of Aradhana fame. Its songs Yeh Shaam Mastani and Yeh Jo Mohabbat Hai, sung by Kishore Kumar, became instant hits. Apart from Kishore Kumar, R. D. Burman also composed several of the popular songs sung by Mohammed Rafi, Asha Bhosle and Lata Mangeshkar.
In 1970, R. D. Burman composed the music for Dev Anand's Hare Rama Hare Krishna (1971).[13] The Asha Bhosle song Dum Maro Dum from this film proved to be a seminal rock number in the Hindi film music.[6] The filmmaker Dev Anand did not include the complete version of Dum Maro Dum in the film, because he was worried that the song would overshadow the film.[5] In the same year, R. D. Burman composed the music for Amar Prem. The Lata Mangeshkar song Raina Beeti Jaaye from this soundtrack is regarded as a classical music gem in Hindi film music.[6] R. D. Burman's other hits in 1971 included the romantic song "Raat kali ek khwab mein" from Buddha Mil Gaya and the Helen-starrer cabaret song "Piya Tu Ab To Aaja" from Caravan. He received his first Filmfare Award nomination forCaravan.
In 1972, R. D. Burman composed hit music for several films including Seeta aur Geeta, Rampur ka Lakshman, Mere jeevan saathi, Bombay to Goa, Apna Desh and Parichay. His success continued with hits such as Yaadon Ki Baaraat (1973), Aap ki Kasam (1974),Sholay (1975) and Aandhi (1975). He also composed a song for a small documentary film called Maa Ki Pukaar, in 1975. After his father S. D. Burman went into coma, R. D. Burman also completed the music of Mili (1975).
Mohammed Rafi received the National Film Award for Best Male Playback Singer for the song Kya Hua Tera Wada from Hum Kisise Kum Naheen (1977), composed by R. D. Burman. R. D. Burman continued to compose several popular songs for films such as Kasme Vaade (1978), Ghar (1978), Gol Maal (1979), Khubsoorat (1980). He received his first Filmfare Best Music Director Award for Sanam Teri Kasam (1981). In 1981, he also composed hit music for Rocky, Satte Pe Satta and Love Story.
The playback singer Kumar Sanu was given his first break by R. D. Burman in Yeh Desh (1984) as voice of Kamal Haasan. Abhijeet was given his major break by R. D. Burman in Anand Aur Anand (1984). Although he made his debut a long time ago, Hariharan was first noticed in a duet with Kavita Krishnamurthy in Hai Mubarak Aaj ka Din from Boxer (1984), which was composed by R. D. Burman. In 1985, Mohammed Aziz, made his debut with Shiva Ka Insaaf (1985) under R. D. Burman.
The trio Rajesh Khanna-Kishore-R.D.Burman have worked together in 32 films together and these films and its songs continue to be popular till date. [14]The trio were close friends. R.D.Burman composed for Rajesh Khanna in totality for 40 films till Sautela Bhai released in 1996.[15]

Last days[edit]

During the late 1980s, was overshadowed by Bappi Lahiri and other disco music composers.[16] Many filmmakers stopped patronizing him, as films featuring his compositions flopped at the box office one after the other.[5][9] Nasir Hussain, who had signed him up for every single of his productions since Teesri Manzil (1966), did not sign him up for Qayamat Se Qayamat Tak (1988).[5] Hussain defended R. D. Burman in press, saying that the latter did not give weak music in Zamane Ko Dikhana Hai (1982) and Manzil Manzil (1984). He also said that the composer was going through a lean phase during the recording of Zabardast (1985).[17] But after these three films flopped, Hussain stepped down as a director, and his son and successor Mansoor Khan switched to other composers. The filmmaker Subhash Ghai promised R. D. Burman Ram Lakhan (1989), but gave it instead to Laxmikant-Pyarelal, who had earlier played in Burman's orchestra.[5]
In 1986, R. D. Burman composed songs for Ijaazat; the score is regarded as one of his best. However, the film belonged to the Parallel Cinema genre of (art films), so it did not stop the decline of R. D. Burman's commercial film career. All four of the songs in Ijaazat were sung by Asha Bhosle and written by Gulzar. R. D. Burman was greatly appreciated by the critics for setting the non-rhyming lyrics of the song Mera Kuchh Saamaan to the music. While both Asha Bhosle (Best Female Playback) and Gulzar (Best Lyrics) received National Awards for the score, R. D. Burman received none.[18] R. D. Burman suffered from a heart attack in 1988, and underwent heart bypass surgery a year later at The Princess Grace Hospital in London.[19] During this period, he composed many tunes, which were never released. He composed music for Vidhu Vinod Chopra's film Parinda in 1989. He composed one song called Chhod Ke Na Jaana which was sung by Asha Bhosle for the film Gang. But since the film took too long to release and due to his untimely death, director Mazhar Khan signed in the then little known Anu Malik for the music of the film. Thenmavin Kombath, a Malayalam film by Priyadarshan was the last film he signed, but he died before he could score for the film. The music of 1942: A Love Story (1994) was released after his death, and was highly successful. It posthumously won him the third and last of his Filmfare Awards. As per Lata Mangeshkar, he died too young and unhappy.[20]

Style[edit]

R. D. Burman has been credited with revolutionizing the Bollywood music.[21] He incorporated a wide range of influences from several genres in his scores. Burman's career coincided with the rise of Rajesh Khanna-starrer youth love stories. He made electronic rockpopular in these popular love stories.[3] He often mixed disco and rock elements with Bengali folk music.[22] He also used jazz elements, which had been introduced to him by the studio pianist Kersi Lord.[23]
According to Douglas Wolk, R. D. Burman "wrapped sugary string swoops around as many ideas as he could squeeze in at once".[2] Biswarup Sen describes his popular music as one featuring multicultural influences, and characterized by "frenetic pacing, youthful exuberance and upbeat rhythms".[24]
R. D. Burman was influenced by Western, Latin, Oriental and Arabic music, and incorporated elements from these in his own music.[25] He also experimented with different musical sounds produced from methods such as rubbing sand paper and knocking bamboo sticks together.[9] He blew into beer bottles to produce the opening beats of Mehbooba, Mehbooba. Similarly, he used cups and saucers to create the tinkling sound for the song Churaliya Hai from the film Yaadon Ki Baaraat (1973).[26] For Satte Pe Satta (1982), he made the singer Annette Pinto gargle to produce a background sound.[9] He also used a rubbed a comb on a rough surface to produce a whooshing sound in the song Meri Samne Wali Khidki Main from the film Padosan (1968)
On multiple occasions, R. D. Burman experimented with recording the same song with different singers. For Kudrat (1981), he recorded the light version of the song Hume tumse pyar kitna in the voice of Kishore Kumar, while the classical version was recorded in the voice of Parveen Sultana. In Pyar Ka Mausam (1969), he recorded the song Tum bin jaun kahan in the voices of Kishore Kumar and Mohammed Rafi separately.
R. D. Burman sometimes used the Western dance music as a source of inspiration for his compositions.[27] As was common in Bollywood, some of his songs featured the tunes of popular foreign songs. Often, the filmmakers forced him to copy these tunes for the soundtracks, resulting in allegations of plagiarism. For example, Ramesh Sippy insisted that the tune of the traditional Cyprus song Say You Love Me (arranged and sung by Demis Roussos) be used for Mehbooba Mehbooba (Sholay, 1975), and Nasir Hussain wanted to use ABBA's Mamma Mia for Mil gaya hum ko sathi.[28] Other examples of R. D. Burman songs inspired by foreign numbers include Aao twist karein from Bhoot Bangla (Chubby Checker's "Let's Twist"), Tumse milke (Leo Sayer's When I Need You), and Zindagi milke bitaayenge (Paul Anka's The Longest Day) and Jahan teri yeh nazar hai (Persian artist Zia Atabi's Heleh maali) and Dilbar mere (Alexandra's Zigeunerjunge).

Band Members[edit]

R. D. Burman often collaborated with same film directors and chose to work with the same team of musicians.
Music Assistants
String Instruments
  • Spanish Guitar: Bhanu Gupta Ramesh Iyer
  • Electric Guitar: Dilip Naik, Ramesh Iyer, Sunil Kaushik
  • Hawaiian Guitar: Bhupinder Singh
  • Bass Guitar: Tony Vaz, Charanjeet Singh, Ramesh Iyer
  • Rhythm Guitar: Bhanu Gupta
  • Santoor: Shiv Kumar Sharma, Ulhas Bapat
  • Sarangi: Sultan Khan, Iqbal
  • Sarod: Zarine Daruwalla
  • Sitar: Kartik Kumar, Arvind Mayekar
  • Tar Shehnai: Dakshina Mohan Tagore
  • Violin : Rajendra Singh, Gajanand Karnad, Sapre, Prabhakar Jog Nanekar, Nandu Chavathe, Uttam Singh
  • Swarolin: Rajendra Singh
  • Mandolin: Kishore Desai, Ravi Sundaram, Mustafa, Pradipto Sengupta
  • Banjo: Rashid Khan
  • Bulbul Tarang: Rashid Khan
Percussion Instruments
  • Tabla : Devichand Chauhan, Shashikant, Amrutrao Katkar, Homi Mullan, Chandrakant Satnak, Deepak Naik, Indranath Mukherjee, Vijay Katkar, Nitin Shankar, Iqbal Khan, Janardan Abhyankar, Bhavani Shankar Singh, Pt. Samta Prasad (the 'Sholay' chase scene background track)
  • Dholak : Shashikant, Dubey, Iqbal Khan, Roshan
  • Drums : Budgie Lord, Franco Vaz, Lesli Vaz, Vancy, Trilok Gurtu
  • Bongo : Kawas Lord, Manohar Barve
  • Congo : Babla, Manohar Barve
  • Bangla Dhol: Oboni Das Gupta
  • Hulgi / Dhol / Chanda: Ganpatrao Jadhav
  • Tarang & Jal Tarang: Janardan Abhyankar
  • Ghatam / Matka: Indra Atma
  • Mridangam: Jairaman
  • Thumba: Ravi Gurtu, Nitin Shankar, Manya Bharve
  • Madal: Ranjeet Gazmer (Kancha), Homi Mullan
  • Pakhawaj: Bhavani Shankar Singh
  • Octopad : Nitin Shankar
Keyboard Instruments
  • Piano: Louis Banks, Mike Machado, Lusilaa
  • Synthesizer: Louis Banks, Kersi Lord
  • Transicord: Charanjeet Singh
  • Accordion: Kersi Lord
  • Organ: Kersi Lord
Wind Instruments
  • Flute: Hari Prasad Chaurasia, Suman Raj, Pt. Ronu Majumdar
  • Mouth Organ: Bhanu Gupta, R. D. Burman
  • Saxophone: Manohari Singh
  • Tenor Sax: Shyamraj
  • Trumpet: George, Castro, Joseph, Bosco, Kishore Sodha, Raj Sodha
  • Trombone: Blasco, Mans, Raj Sodha
  • Clarinet: Mehraj Deen, Hussain Darbar
  • Shehnaai: Sharad Kumar

Legacy[edit]

Several Hindi films made after R. D. Burman's death contain his original songs or their remixed versions. Dil Vil Pyar Vyar (2002), which contains several re-arranged hit songs of Burman, was made as a tribute to him.[29] Jhankaar Beats (2003), which catapulted the music director duo Vishal-Shekhar into the limelight, is also a tribute to him.[30] In Khwahish (2003), Mallika Sherawat's character is an R. D. Burman fan; the film features repeated references to him.[31] In 2010, Brahmanand Singh released a 113-minute documentary titled Pancham Unmixed: Mujhe Chalte Jaana Hai, which received critical acclaim.[9] The music of Lootera (2013) is a tribute to R. D. Burman.[32] Other films which credit R. D. Burman include Gang (2000) and Monsoon Wedding (2001, for Chura liya hai).
A number of Indian remix albums feature R. D. Burman's songs, which are also popular in the country's pubs and discos.[5] Several of his compositions were re-mixed by the South Asian DJs in the United Kingdom and North America, and feature in popular albums such as Bally Sagoo's Bollywood Flashback.[3] Kronos Quartet's You've Stolen My Heart (2005) contains R. D. Burman's compositions sung by his wife Asha Bhosle.[33] In the 2012 film Khiladi 786, Music Director, Composer, Singer and Actor Himesh Reshammiya-composed song Balma is also a tribute to R.D. Burman.[34]
In 1995, Filmfare Awards constituted the Filmfare RD Burman Award for New Music Talent in his memory. The award is given to upcoming music talent in Hindi cinema. In 2009, the Brihanmumbai Municipal Corporation named a chowk (public square) in Santa Cruz after R. D. Burman.[35]
R. D. Burman inspired many later Bollywood music composers, such as Vishal-Shekhar. Jatin-Lalit are considered to have carried on R. D. Burman's legacy through the 1990s..[36] Notable musical assistants to R. D. Burman include Manohari Singh and Sapan Chakraborty. His instrumentalists included Hari Prasad Chaurasia, Shiv Kumar Sharma, Louis Banks, Bhupinder and Kersy Lord.[9] He is also noted for his partnership with the lyricist Gulzar, who wrote the words for several of his finest compositions.[9]
Pancham Unmixed, a winner of 2 National Awards, is a 113-minute biopic on R. D. Burman, directed by Brahmanand Singh. A postage stamp, bearing R. D. Burman's face, was released by India Post to honour him on 3 May 2013.
For the anniversary of his 77th birthday on 27th of June 2016 Google showed a Doodle of R.D Burman on its Indian Home Page.[37]

Personal life[edit]

R. D. Burman's first wife was Rita Patel, whom he had met in Darjeeling. Rita, a fan, had bet her friends that she would be able to get a film-date with Burman. The two married in 1966, and divorced in 1971.[38] The song Musafir Hoon Yaaron ("I'm a Traveller") fromParichay (1972) was composed by him, when he was at a hotel after the separation.[39]
R. D. Burman married Asha Bhosle in 1980. Together, they recorded many hit songs and also staged many live performances. Although, towards the end of his life, they did not live together.[40] Burman had financial difficulties, particularly later in his life. His mother Meera died in 2007, thirteen years after his death.[41] She was suffering from Alzheimer's and was not in her senses even before her son's death. Just before her death she had been moved to an old age home, and moved back to her son's residence after the issue became a controversy.[42]

Discography[edit]

Main article: R.D. Burman discography
See also: Unreleased songs of R. D. Burman
Out of R. D. Burman's 331 released film scores, 292 were in Hindi, 31 in Bengali, 3 in Telugu, 2 each in Tamil and Oriya, and 1 in Marathi. R. D. also composed for 5 TV Serials in Hindi and Marathi.
Pancham's non-film music comprises few albums, including Pantera (1987), a Latin Rock album produced by Pete Gavankar (father of Janina Gavankar). The album was an international collaboration, for which R. D. Burman partnered with Jose Flores in San Francisco.[43] In 1987, R. D. Burman, Gulzar and Asha Bhosle worked on an album titled Dil Padosi Hai, which was released on 8 September 1987, Asha Bhosle's birthday. R. D. Burman and Asha Bhosle also recorded a song with Boy George.[44] In addition, he scored a large number of non-film songs in Bengali, which are available in different albums, and from which many numbers were later adapted in Hindi films. Burman also did playback singing in eighteen films for which he himself composed the scores.

Awards and recognitions[edit]

Though Burman laid the foundation for numerous Bollywood music directors to pave the path for the future of music in Bollywood cinema, he was awarded a total of only three Filmfare Awards, one of which was awarded posthumously (for 1942: A Love Story).
Filmfare Awards
Wins
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